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    Senin, 02 Juni 2014

    Leaning Tower of Pisa

    The Leaning Tower of Pisa (Italian: Torre pendente di Pisa) or simply the Tower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt to one side. It is situated behind the Cathedral and is the third oldest structure in Pisa's Cathedral Square (Piazza del Duomo) after the Cathedral and the Baptistry. The tower's tilt began during construction, caused by an inadequate foundation on ground too soft on one side to properly support the structure's weight. The tilt increased in the decades before the structure was completed, and gradually increased until the structure was stabilized (and the tilt partially corrected) by efforts in the late 20th and early 21st centuries.

    The height of the tower is 55.86 metres (183.27 feet) from the ground on the low side and 56.67 metres (185.93 feet) on the high side. The width of the walls at the base is 2.44 m (8 ft 0.06 in). Its weight is estimated at 14,500 metric tons (16,000 short tons).[1] The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase. Prior to restoration work performed between 1990 and 2001, the tower leaned at an angle of 5.5 degrees,[2][3][4] but the tower now leans at about 3.99 degrees.[5] This means that the top of the tower is displaced horizontally 3.9 metres (12 ft 10 in) from where it would be if the structure were perfectly vertical.[6]

    Architect
    There has been controversy about the real identity of the architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and Bonanno Pisano,[7] a well-known 12th-century resident artist of Pisa, famous for his bronze casting, particularly in the Pisa Duomo. Bonanno Pisano left Pisa in 1185 for Monreale, Sicily, only to come back and die in his home town. A piece of cast with his name was discovered at the foot of the tower in 1820, but this may be related to the bronze door in the façade of the cathedral that was destroyed in 1595. However, recent studies[8] seem to indicate Diotisalvi as the original architect due to the time of construction and affinity with other Diotisalvi works, notably the bell tower of San Nicola and the Baptistery, both in Pisa. However, he usually signed his works and there is no signature by him in the bell tower which leads to further speculation.

    Construction


    Leaning Tower of Pisa before cleaning work had taken place
    Construction of the tower occurred in three stages across 199 years. Work on the ground floor of the white marble campanile began on August 14, 1173, during a period of military success and prosperity. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals.

    The tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, a design that was flawed from the beginning. Construction was subsequently halted for almost a century, because the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca, and Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost certainly have toppled.[citation needed] In 1198 clocks were temporarily installed on the third floor of the unfinished construction.

    In 1272 construction resumed under Giovanni di Simone, architect of the Camposanto. In an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is actually curved.[9] Construction was halted again in 1284, when the Pisans were defeated by the Genoans in the Battle of Meloria.

    The seventh floor was completed in 1319. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the bell-chamber with the Romanesque style of the tower. There are seven bells, one for each note of the musical major scale. The largest one was installed in 1655. The bell-chamber was finally added in 1372.

    After a phase (1990–2001) of structural strengthening,[10] the tower is currently undergoing gradual surface restoration, in order to repair visible damage, mostly corrosion and blackening. These are particularly pronounced due to the tower's age and its exposure to wind and rain.[11]

    Timeline
    On January 5, 1172, Donna Berta di Bernardo, a widow and resident of the house of dell'Opera di Santa Maria, bequeathed sixty soldi to the Opera Campanilis petrarum Sancte Marie. The sum was then used toward the purchase of a few stones which still form the base of the bell tower.[12]
    On August 9, 1173, the foundations of the Tower were laid.
    Nearly four centuries later Giorgio Vasari wrote: "Guglielmo, according to what is being said, in [this] year 1174 with Bonanno as sculptor, laid the foundations of the bell tower of the cathedral in Pisa."
    Giorgio Vasari indicates that Tommaso di Andrea Pisano was the designer of the belfry between 1360 and 1370.
    On December 27, 1233, the worker Benenato, son of Gerardo Bottici, oversaw the continuation of the construction of the bell tower.[13]
    On February 23, 1260, Guido Speziale, son of Giovanni, a worker on the cathedral Santa Maria Maggiore, was elected to oversee the building of the Tower.[14]
    On April 12, 1264, the master builder Giovanni di Simone and 23 workers went to the mountains close to Pisa to cut marble. The cut stones were given to Rainaldo Speziale, worker of St. Francesco.[15]

    Builders
    One possible builder is Gerardo di Gerardo. His name appears as a witness to the above legacy of Berta di Bernardo as "Master Gerardo", and as a worker whose name was Gerardo.
    A more probable builder is Diotisalvi, because of the construction period and the structure's affinities with other buildings in Pisa. But he usually signed his works, and there is no signature by him in the bell tower.
    Giovanni di Simone was heavily involved in the completion of the tower, under the direction of Giovanni Pisano, who at the time was master builder of the Opera di Santa Maria Maggiore. He could be the same Giovanni Pisano who completed the belfry tower.

    Source : http://en.wikipedia.org/wiki/Pisa_Tower
    Senin, 02 Juni 2014
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